Enter the ‘Necropalace’: WORM talk vampires, loneliness, MARTY FRIEDMAN and more
Before Worm leader Phantom Slaughter begins writing his “necromantic black doom” music, he needs to get inside the mind of a vampire.
The South Florida-born musician often works on “evil vampiric” compositions in his off-grid cabin as the erotically fang-bearing films of cult director Jean Rollin flicker silently in the background. A six-foot cardboard ghoul from the tabletop game Castle Ravenloft looms nearby as Slaughter conjures his dark art. The results — songs bursting with midnight-b...
Before Worm leader Phantom Slaughter begins writing his “necromantic black doom” music, he needs to get inside the mind of a vampire.
The South Florida-born musician often works on “evil vampiric” compositions in his off-grid cabin as the erotically fang-bearing films of cult director Jean Rollin flicker silently in the background. A six-foot cardboard ghoul from the tabletop game Castle Ravenloft looms nearby as Slaughter conjures his dark art. The results — songs bursting with midnight-b...
Enter the ‘Necropalace’: WORM talk vampires, loneliness, MARTY FRIEDMAN and more
Before Worm leader Phantom Slaughter begins writing his “necromantic black doom” music, he needs to get inside the mind of a vampire.
The South Florida-born musician often works on “evil vampiric” compositions in his off-grid cabin as the erotically fang-bearing films of cult director Jean Rollin flicker silently in the background. A six-foot cardboard ghoul from the tabletop game Castle Ravenloft looms nearby as Slaughter conjures his dark art. The results — songs bursting with midnight-b...
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